Late 2013 – early 2014 reading

150-GoodOmens Good Omens by Terry Pratchett and Neil Gaiman

An apocalyptic tale in which the forces of Heaven and Hell are portrayed as world-weary, vaguely incompetent bureaucrats endlessly pushed around and manipulated by those up(and down)stairs. This sets the stage for a witty play involving frequent meetings between the mythological (represented by said bureaucrats and four horsepersons of the apocalypse, among others) and the mundane (represented by the inhabitants of the almost-too-wholesome English village of Lower Tadfield). Yeah, this book is definitely very Gaiman and Verry Pratchett, though in terms of style it feels more Pratchett to me – so densely packed with humourous insight, pleasing turns of phrase and clever images that as a writer I go into a state of denial to make myself feel better, thinking “okay, but it can’t REALLY be this well written”, even though it blatantly is.

150-TheDisasterArtist The Disaster Artist by Greg Sestero and Tom Bissell

This book documents the making of Tommy Wiseau’s The Room, which is up there with Troll 2 in the “best worst movie” leagues. The unglamorous portrayal of small-time show business is interesting, but it is Tommy’s combination of eccentricity, passion, anger and vulnerability that makes this account so memorable (if you’ve ever acted in a weird and emotionally manipulative way, some of his lower moments may feel uncomfortably familiar). Sometimes I think any work of this type – be it documentary or memoir-type thing – is just an excuse to talk about people for a good long while, the specific subject acting as a framing device which sheds a lot of its importance once we begin to get to know the fascinating characters involved. So even if you haven’t seen The Room, this book deserves to be read by anyone interested in people – and if you aren’t, why are you reading at all?

150-HyperboleAndAHalf Hyperbole and a Half by Allie Brosh

Really, if you want to know whether you should buy this book or not, the best test is to go and read the blog it’s based on. If you find yourself charmed by Allie Brosh’s willingness to look inwards, seek out all the most unflattering elements of her personality like an emotional investigative journalist, and report back with humour, bright colours and a rare, even inspirational level of honesty – buy this book! If you don’t, don’t – but just know that I like you a little less now. You might recognise some elements of Hyperbole and a Half that have become memes (“CLEAN ALL THE THINGS!”), but even those that haven’t are wonderfully quotable. For example: “Are you going into the kitchen? Cool. Go fuck yourself” is a phrase that will stick with me, at least reminding me that I’m not alone while I beat myself up over nothing.

150-Watchmen Watchmen by Alan Moore and Dave Gibbons

I need to read Watchmen again, because for the moment I have nothing resembling insight, only superlatives to lavish upon it. Actually scratch that – I’m not a proper reviewer, I can gush if I want to. The art is stunning, even overwhelming at times, and considering its only path of entry to your brain is through your eyes, it is amazingly effective at conveying seas of noise and long-drawn-out eerie silences. The overall effect of the whole thing is exhausting. Perhaps that’s just down to my inexperience with comic books, or perhaps the world it presents is just a little too frighteningly believable: a world which hovers on the brink of nuclear war while the heroes who were once seen to protect it can only shuffle around New York City reminiscing about the good old days and mourning their lost youth and reputations. Hmm, I may have made it sound dull there, but it absolutely isn’t – it’s astonishing, even or perhaps especially to a superhero sceptic such as myself.

150-AClashOfKings A Clash of Kings by George R. R. Martin

The story told in this volume is more complex and subtle than that in A Game of Thrones, and it feels to me that it makes more sense as a novel than as a season of TV. This time around, the viewpoint characters are kept apart to a large extent, placing more importance on an almost impossibly large supporting cast who are more easily developed on the page than on the screen. It moves slowly at first, like the creaking gears of a massive machine, but it is in this book that the sheer scale of both the world and the story become clear: new locations are revealed, all described in beautiful detail; Shakespearean characters hatch devious plots, betray each other and desperately thrash around to escape the impossible situations they end up in; bloody battles are fought; old dark powers continue their slow, spine-tingling return to Westeros. I can’t even begin to imagine how Martin mapped all this out, but presumably he’s keeping a Post-it note shop in business somewhere.

Breakfast of Champions Breakfast of Champions by Kurt Vonnegut

To a greater extent than the other Vonneguts I’ve read, Breakfast of Champions reads less like a novel and more like a guide to the human race written by a bemused, witty and easily distracted alien. It starts strong, with a sarcastic dismantling of the myths surrounding America, and goes on to cover such ground as free will, racism, the futility of all life, and ultimately just what the hell the Creator of the Universe is playing at. Despite, or maybe because of the fact that its actual capital-P ‘Plot’ is so deeply buried within a labyrinth of tangents that it can barely be located at all, this book made me understand certain things about Vonnegut’s style for the first time. At one particularly brilliant point, he breaks the fourth wall and explains why he writes the way he does; on several other occasions I laughed out loud at the gleeful immaturity with which he takes a sledgehammer to the sort of rules they teach you in creative writing classes.

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